As a composer, I have been called both prolific and eclectic. Both accusations are basically true.

Myself, I tend to abhor stylistic labels, but I concede that my music might best be described generally as “neo-classical,” mostly tonal, and (hopefully!) very accessible—not to mention inspiring and enjoyable.

That‘s not asking too much, is it?

My body of works falls into one of four general categories:

• Symphonic (orchestral)
• Choral
• Synthonic (Electro-acoustic/electronic)
• Miscellaneous other